Casting Shadows:
Photographs by Edward West
December 2, 2000-January 28, 2001
West Gallery

Edward West
From the project Casting Shadows 1998-2000
Fine art photographer Edward
West has called the photographing of black South Africans "an act of
affirmation," an attitude that is exemplified by the images/view on view
in Casting Shadows. The large-scale, color photographs were taken
between 1997 and 2000, a period during which he traveled throughout
South Africa, photographing in the country's communities of color. Shot
with high-speed film and digitally printed on drawing paper, the images/view
have a pointillist texture and a lush depth. Shadow is used within the
images/view as a metaphor for the shifting visibility and invisibility of
the black population during the period of political and cultural transformation
that has followed apartheid.
West asserts that unlike
many who have documented post-apartheid South Africa, he did not go
to observe the conflict or the tragic aspects; his goal was deceptively,
profoundly simple: to learn something. Looking carefully and allowing
himself to be affected by those he met, he saw not the sadness and difficulty
of life but, in his words, "people who live together and who with very
little still make richness." The richness of the life and the connections
among the people in West's images/view is palpable; so, too, is the devastating,
marginal landscape through which they must make their way. The figures
in West's photographs resonate with life and individuality, in stark
contrast to this sparse background, a painful visual legacy of the necessity
of making due with leftover scraps of geography and resources.
This exhibition and related
programming were made possible by the generous support of Johnson Controls,
Inc; SAPPI Fine Paper; Ernestine and Herbert S. Ruben; David L. Chambers
and John G. Crane; the Friends of the Museum of Art; and the following
University of Michigan units: Office of the President; Office of the
Provost; the Office of the Associate Provost for Academic Affairs; MFA
Program in Creative Writing; Department of English Language and Literature;
Office of the Dean, Horace H. Rackham School of Graduate Studies; School
of Art + Design; Center for Afroamerican and African Studies; Office
of the Vice President for Research; the International Institute; the
King Chavez Parks Scholars Program; South African Initiatives Office;
the Program in Comparative Literature; the Department of Classics; the
Global Ethnic Literature Seminar; and the Detroit South Africa Project.
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