This story originally appeared in Art & Education. Read the original.
Cullen Washington’s Monumental Series Agoras Ruminates on Public Life
Cullen Washington, Jr.: The Public Square looks back to the earliest forays into democracy, the Greek Agora, considering how ancient ideals of democracy find life and contradiction in the public spaces and institutions we occupy today.
This is the first US museum solo show for Cullen Washington and it displays his dramatic recent series of monumental abstract collage paintings, called Agoras, which explore the idea and ideal of a gathering site that functions as a city’s center of artistic, spiritual, and political life.
In response to this theme, a public assembly and programming space sits in the center of the exhibition, activated by excerpts of speeches by Maya Angelou, James Baldwin, Kofi Annan, John F. Kennedy, and Barack Obama; all ringed by Washington’s soaring collages.
Witness Lab Complicates Our Relationship To Justice
In February, UMMA opens Witness Lab, from Roman J. Witt Artist in Residence Courtney McClellan. The exhibition collapses theater, courtroom, and artist studio by showcasing performances of the law in action. Witness Lab will host everything from mock trials and re-enactments to play productions and class lectures. Museum public are invited to attend all performances and classes.
McClellan’s Witness Lab is part of the artist’s ongoing research into who performs the role of witness in our society, how that understanding compares with the narrower legal definition of the role, and how courts use performance to establish truths and mold perception.
“Witnessing is an act of keen observation, but it’s also an act of retelling,” McClellan says. “It’s inherently subjective. In 2020, I want people to consider the complex truths found through shared storytelling.”
Viewers and students will be asked to document the proceedings from their perspective via courtroom sketches, video recordings, hand-written notes, photography, and more — creating an interactive, evolving installation.
The project is a collaboration between UMMA and the U-M Stamps School of Art & Design.
Abstraction, Color, and Politics in the 1960s and 70s: Kaleidoscope Explores Abstraction As Protest
Kaleidoscope is the third and final exhibition in the year-long Abstraction, Color, and Politics series at UMMA. The latest installment, unpacks the evolving practice of abstract art in the United States and its role in political discourse and protest movements.
As the 1970s progressed, women artists and black feminist artists assertively explored abstraction’s possibilities during an era of profound experimentation. They collaged, cut, weaved, and punched their materials with a focused physicality. Featuring work by Anni Albers, Jennifer Bartlett, Louise Fishman, Helen Frankenthaler, Howardena Pindell, Dorothea Rockburne, Anne Truitt, and others.
Finally, throughout the winter, UMMA is continuing the sleeper blockbuster Take Your Pick, an experiment in another mainstay of democracies—voting. For the last several months, museum visitors have been voting (and voting, and voting) for their favorites among 1,000 found vernacular photographs from the collection of Peter J. Cohen.
More than 100,000 votes were cast, and the top 250 vote-getters are now on view until February 23. Chosen by museum visitors, they will be donated by Cohen and accessioned into UMMA’s permanent collection.
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Top: Courtney McClellan, Double Jeopardy, 2019, GIF. Copyright Courtney McClellan. Courtesy the artist.
Middle: Photography by Andrea Feldman
Lower: Photography by Marc-Gregor Campredon