This program is free and open to the public, but space is limited. Please register to secure your place by emailing umma-program-registration@umich.edu.
Many of today’s Native artists draw on historical tribal practices for their contemporary art making. In this Conversation, U-M PhD candidate Kristine Ronan will highlight the intersection between the historical and the contemporary in an array of objects from the touring exhibition Changing Hands: Art Without Reservation 3. Comparing objects from the exhibition to some of UMMA’s permanent collections, we will especially consider how relating the past to the present might serve as political commentary for a number of today’s Native artists.
This program is free and open to the public, but space is limited. Please register to secure your place by emailing umma-program-registration@umich.edu.
Changing Hands: Art Without Reservation 3 / Contemporary Native North American Art from the Northeast and Southeast was organized by the Museum of Arts and Design, New York, and made possible by the National Endowment for the Arts. The exhibition catalogue is made possible in part with the support of the Smithsonian Institution’s Indigenous Contemporary Arts Program. Lead support for UMMA’s installation is provided by the University of Michigan Health System, the Michigan Council for Arts and Cultural Affairs, and the University of Michigan Office of the Provost. Additional generous support is provided by the University of Michigan Office of the Senior Vice Provost for Academic Affairs, Native American Studies Program, the Eisenberg Institute for Historical Studies, and the Doris Sloan Memorial Fund.
