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The UMMA Collection

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Palazzo Contarini Fasan
circa 1860-1870
Carlo Ponti
albumen print on paper
Vitré—The Canal
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
The Embroidered Curtain
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
Balcony, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper
Nocturne: Palaces, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in black ink on wove paper
The Doorway, from the “Twelve Etchings”, or the “First Venice Set”
1879-1880
James Abbott McNeill Whistler
etching, drypoint, and roulette on laid paper on laid paper
Edo Meisho: Ochanomizu
circa 1853
Utagawa Hiroshige
color woodblock print on paper
Rilato Bridge, Venice
circa 1870-1880
Carlo Ponti
albumen print on paper
Ponte dei Sospiri
1855-1870
Carlo Ponti
albumen print on paper