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The UMMA Collection

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Artwork Type:
Beauty
circa 1930
Torii Kiyonobu
hanging scroll, ink and color on silk
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Mauve and periwinkle crested haori with wax-resist designs of floral clusters and embroidery in metallic threads
circa 1950
Minagawa Gekka
crepe silk with colorful wax resist design and metallic thread embroidery
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Haori
20th century
Japanese
silk, brocade
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Dark purple kimono with overall jacquard woven pattern of chrysanthemums in dark brown, silver, and gold
1930s-1950s
Japanese
silk crepe with interwoven brown and silver- and gold- coated threads
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Yoshiwara District
early 18th century
Japanese
handscroll fragment, ink and color on paper
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Courtesan Beneath a Willow Branch
circa 1740-1750
Japanese
hanging scroll, ink and color on paper
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Beauty (Taifu)
late 18th century - early 19th century
Yokoi Kinkoku
hanging scroll, ink and color on paper
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Twenty-four Japanese Paragons of Filial Piety: Chûjôhime
circa 1843
Utagawa Kuniyoshi
Medium-size full-color woodblock print (chûban nishiki e)
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Ichikawa Benzō I as Shintokumaru
circa 1760s
Torii Kiyotsune
woodblock print on paper
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Comparisons of Women to the Hundred and Eight Heroes of “The Water Margin” [Tsûzoku suikoden gôketsu hyaku hachi nin no hitori]: Seidôjin (Woman caught in a rainstorm)
1825-1832
Utagawa Kuniyasu
woodblock print on paper
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Light blue crested kimono with woven hexagonal pattern, enhanced by painted and gilded designs and appliquéd Saga brocade.
circa 1970-1979
Japanese
silk crepe with painted, gilt, and embroidered designs
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