The Collection – University of Michigan Museum of Art

Beauty

circa 1930

Torii Kiyonobu

hanging scroll, ink and color on silk

Mauve and periwinkle crested haori with wax-resist designs of floral clusters and embroidery in metallic threads

circa 1950

Minagawa Gekka

crepe silk with colorful wax resist design and metallic thread embroidery

Haori

20th century

Japanese

silk, brocade

Dark purple kimono with overall jacquard woven pattern of chrysanthemums in dark brown, silver, and gold

1930s-1950s

Japanese

silk crepe with interwoven brown and silver- and gold- coated threads

Yoshiwara District

early 18th century

Japanese

handscroll fragment, ink and color on paper

Courtesan Beneath a Willow Branch

circa 1740-1750

Japanese

hanging scroll, ink and color on paper

Beauty (Taifu)

late 18th century - early 19th century

Yokoi Kinkoku

hanging scroll, ink and color on paper

Twenty-four Japanese Paragons of Filial Piety: Chûjôhime

circa 1843

Utagawa Kuniyoshi

Medium-size full-color woodblock print (chûban nishiki e)

Ichikawa Benzō I as Shintokumaru

circa 1760s

Torii Kiyotsune

woodblock print on paper

Comparisons of Women to the Hundred and Eight Heroes of “The Water Margin” [Tsûzoku suikoden gôketsu hyaku hachi nin no hitori]: Seidôjin (Woman caught in a rainstorm)

1825-1832

Utagawa Kuniyasu

woodblock print on paper

Light blue crested kimono with woven hexagonal pattern, enhanced by painted and gilded designs and appliquéd Saga brocade.

circa 1970-1979

Japanese

silk crepe with painted, gilt, and embroidered designs

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