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The UMMA Collection

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Artwork Type:
Portrait of a Warrior (Minamoto no Yoritomo)
17th century
Japanese
hanging scroll, ink and color on silk
Weary
1863
James Abbott McNeill Whistler
drypoint and roulette, printed in warm black ink on laid Japan tissue, tipped down
Seated Woman Wearing a Beret
1931
Fernand Léger
pen, ink, and graphite on paper
Door, Barfreston Church
1850-1862
Francis Bedford; Francis Frith and Co; Francis Frith and Co
albumen print on paper
Seated figure of a woman with bowls (originally part of the furnishings of a tomb)
386-534
Chinese
earthenware with traces of polychrome
Firelight: Joseph Pennell
1896
James Abbott McNeill Whistler
transfer lithograph on laid paper
Bacchanalian Revelry of the Seven Lucky Gods
mid 19th century
Mori Kōga (Takamasa)
hanging scroll, ink and color on silk
Portrait of a Monk (Hônen?): Pilgrimage Souvenir from Hôshôji, Kodairao ?) Village, Wakayama Prefecture
19th century
Japanese
handcolored woodblock print on paper, mounted as hanging scroll
The Boy
1875-1876
James Abbott McNeill Whistler
drypoint, printed in black ink on laid paper
Jo’s Bent Head
1861
James Abbott McNeill Whistler
drypoint, printed in dark brown ink on laid paper
Fanny Leyland
1874
James Abbott McNeill Whistler
drypoint on laid paper
Jo’s Bent Head
1861
James Abbott McNeill Whistler
drypoint on laid paper
The Title Page for “Douze Eaux Fortes d’après Nature” or the French Set
1856-1858
James Abbott McNeill Whistler
etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper
Little Arthur, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
La Vieille aux Loques (One of the “Twelve Etchings from Nature,” or the “French Set”)
1856-1858
James Abbott McNeill Whistler
etching, printed in black ink on on laid paper