The Collection – Page 11 – University of Michigan Museum of Art

Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in black ink on wove paper

The Little Lagoon, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper, trimmed to platemark

Pickle Herring Wharf

circa 1878

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

Lindsey Houses

1876-1877

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

Shipbuilder’s Yard

1875

James Abbott McNeill Whistler

drypoint, printed in black ink on old laid paper

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on paper

Billingsgate

1859

James Abbott McNeill Whistler

etching, printed in black ink on laid Japan paper

Thames Warehouses, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’

1859

James Abbott McNeill Whistler

etching on laid paper

Eagle Wharf (Tyzac, Whiteley & Co.), One of the ‘Sixteen Etchings,’ or the ‘Tham

1859

James Abbott McNeill Whistler

etching on laid tissue

Unloading the Barge, West Mersea

1923

Martin Hardie

drypoint on paper

The Incoming Tide

1923

Martin Hardie

drypoint on paper

The Incoming Tide

1923

Martin Hardie

drypoint on paper

Egham

1859-1860

Sir Francis Seymour Haden

etching on paper

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