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The UMMA Collection

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The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Traghetto, No. 1
1879-1880
James Abbott McNeill Whistler
etching, printed in warm black ink on laid Japan paper
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Street at Saverne, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on Japan paper, laid down on white wove plate paper
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Street at Saverne, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
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Pluie et Parapluie
1847-1898
Félix Hilaire Buhot
etching on paper
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Petite Banlieue: Le Chien devant la Porte
1929
Georges Rouault
lithograph on paper
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Underpass
1939
Leonard Pytlak
lithograph on paper
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On Tenth Avenue
1939
Mac Raboy
wood engraving on paper
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Basket-peddlers at the Porte du Compas-d’Or rue Montorgueil, (Marchands au panier sous la Porte du Compas-d’Or, rue Montorgueuil)
1889; printed late 1890s
Auguste Louis Lepère
wood engraving in black and buff on China paper
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Old Houses, Ipswich
19th century
S. Poulton
albumen print on paper
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Watching—A Street Scene, Dublin, Ireland
1965-1966, printed 1979
Alen MacWeeney
gelatin silver print on paper
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Sanremo – Vicolo del Giuoco della Palla
1881-1895
Carlo Brogi
albumen print on paper
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W. Jones, Lime-burner, Thames Street, one of the “Sixteen Etchings,” or the “Thames Set”
1859
James Abbott McNeill Whistler
etching and drypoint on laid Japan tissue
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Part of Queen’s College, Oxford
1843
William Henry Fox Talbot
salted paper print
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