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The UMMA Collection

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Balcony, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper
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Nocturne: Palaces, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
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Ponte del Piovan, One of the “Twenty-six Etchings,” or the “Second Venice Set”
1879-1880
James Abbott McNeill Whistler
etching and drypoint on laid paper
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Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in black ink on wove paper
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The Heart of Paris
circa 1921
Wilfred Byron Shaw
etching on paper
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Ponte dei Sospiri
1855-1870
Carlo Ponti
albumen print on paper
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Untitled [Canal Boats]
1867-1967
Camille-Arthur Fonce
drypoint on dark cream wove paper
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