The Collection – Page 211 – University of Michigan Museum of Art

Battersea Morn

1877

James Abbott McNeill Whistler

drypoint, printed in brown ink on laid paper

Jo’s Bent Head

1861

James Abbott McNeill Whistler

drypoint, printed in dark brown ink on laid paper

The Storm

1861

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

Fanny Leyland

1874

James Abbott McNeill Whistler

drypoint on laid paper

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on laid Japan tissue

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on paper

The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’

1861

James Abbott McNeill Whistler

drypoint on laid Japan tissue

Jo’s Bent Head

1861

James Abbott McNeill Whistler

drypoint on laid paper

Longshoremen

1859

James Abbott McNeill Whistler

etching, printed in black ink on laid Japan paper

Billingsgate

1859

James Abbott McNeill Whistler

etching, printed in black ink on laid Japan paper

Becquet, one of the “Sixteen Etchings,” or the “Thames Set”

1859

James Abbott McNeill Whistler

etching and drypoint on laid paper

Whistler with a hat

1859

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

Finette

1859

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid Japan tissue

The Title to the French Set; original paper wrappers of the set, one of the ‘Twelve Etchings from Nature,’ or the ‘French Set”

1858

James Abbott McNeill Whistler

etching and drypoint on on blue laid paper

The Music Room

1858

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on wove paper

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