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The UMMA Collection

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Artwork Type:
The Return Home
1939
Abram Tromka
oil on canvas
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Anaïs II
1930
Gerald Brockhurst
etching and drypoint on medium, moderately textured cream wove paper
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Archaic Figure (Goddess from the Great Beyond)
1953-1955
Louise Nevelson
etching and aquatint with drypoint on beige wove paper
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Archaic Figure (Goddess from the Great Beyond)
1953-1955
Louise Nevelson
etching with aquatint and hand coloring on beige wove paper
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Archaic Figure (Goddess from the Great Beyond)
1953-1955
Louise Nevelson
etching on beige wove paper
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Mezzotint in Indigo
1968-1969
Robert Motherwell
mezzotint on cream Auvergne à la Main handmade paper
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One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”
1995
Kara Walker
aquatint and etching on light cream Somerset Satin wove paper
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One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”
1995
Kara Walker
aquatint and etching on light cream Somerset Satin wove paper
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One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”
1995
Kara Walker
aquatint and etching on light cream Somerset Satin wove paper
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One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”
1995
Kara Walker
aquatint and etching on light cream Somerset Satin wove paper
You can interact with this object! Please log in, or create a free account.
One of five prints from the suite “The Means to an End–A Shadow Drama in Five Acts”
1995
Kara Walker
aquatint and etching on light cream Somerset Satin wove paper
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The Five Orders of Architecture: Doric
1993
Herbert W. Johe
watercolor on paper
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The Five Orders of Architecture: Corinthian Column
1990s
Herbert W. Johe
watercolor on paper
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The Five Orders of Architecture: Tuscan Column
1990-1998
Herbert W. Johe
watercolor on paper
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The Five Orders of Architecture: Composite Column
1990s
Herbert W. Johe
watercolor on paper
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