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The UMMA Collection

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The Tall Bridge
1878
James Abbott McNeill Whistler
lithotint with scraping, printed in black ink on white wove paper
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Limehouse
1878
James Abbott McNeill Whistler
lithotint on heavy wove paper
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Early Morning
1878
James Abbott McNeill Whistler
lithotint with scraping on a prepared half-tint ground on wove paper
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The Embroidered Curtain
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Nocturne: Salute
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
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Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in black ink on wove paper
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The Little Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in brown ink on laid paper, trimmed to platemark
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The Little Lagoon, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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Pickle Herring Wharf
circa 1878
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Free Trade Wharf
1877
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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Lindsey Houses
1876-1877
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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