The Collection – Page 3 – University of Michigan Museum of Art

San Vio, Venice

1880

Otto Bacher

etching on paper

The Rialto, from the “Second Venice Set,” or the “Twenty-six Etchings”

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on Asian laid paper

Nocturne: Furnace, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in brown ink on laid paper, trimmed to platemark

View of Venice

circa 1841-1911

Félix Ziem

oil on panel

Venice

1903-1954

John Whorf

watercolor on paper

San Vitale, Venice

1863-1940

Jane C. Stanley

watercolor on white paper

Vegetable Market, Venice

1863-1940

Jane C. Stanley

watercolor on white paper

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper

The Doorway, One of the “Twelve Etchings,” or the “First Venice Set”

1879-1880

James Abbott McNeill Whistler

etching, drypoint and roulette on laid paper

The Palaces, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, drypoint, and open bite, printed in black ink on laid paper, trimmed to platemark

September Sunset

1925

James McBey

etching on paper

The Piazzetta, one of the “Twelve Etchings,” or the “First Venice Set”

1879-1880

James Abbott McNeill Whistler

etching and drypoint on wove paper

Venice from the Lido

1863-1940

Jane C. Stanley

graphite on white paper

Campo San Zaccaria, Venice

1863-1940

Jane C. Stanley

graphite on white paper

Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper

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