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The UMMA Collection

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San Vio, Venice
1880
Otto Bacher
etching on paper
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The Rialto, from the “Second Venice Set,” or the “Twenty-six Etchings”
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on Asian laid paper
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Nocturne: Furnace, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in brown ink on laid paper, trimmed to platemark
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View of Venice
circa 1841-1911
Félix Ziem
oil on panel
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Venice
1903-1954
John Whorf
watercolor on paper
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San Vitale, Venice
1863-1940
Jane C. Stanley
watercolor on white paper
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Vegetable Market, Venice
1863-1940
Jane C. Stanley
watercolor on white paper
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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The Doorway, One of the “Twelve Etchings,” or the “First Venice Set”
1879-1880
James Abbott McNeill Whistler
etching, drypoint and roulette on laid paper
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The Palaces, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, drypoint, and open bite, printed in black ink on laid paper, trimmed to platemark
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September Sunset
1925
James McBey
etching on paper
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The Piazzetta, one of the “Twelve Etchings,” or the “First Venice Set”
1879-1880
James Abbott McNeill Whistler
etching and drypoint on wove paper
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Venice from the Lido
1863-1940
Jane C. Stanley
graphite on white paper
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Campo San Zaccaria, Venice
1863-1940
Jane C. Stanley
graphite on white paper
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Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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