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Artwork Type:
Landscape with a Bather; Landscape with Lake and Castle on a Hilltop (verso)
17th century
Giovanni Grimaldi
pen, bistre ink and wash with graphite indications on white paper
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L’Ile de la Cité, Paris
1947
John Francis Minton
pen, ink wash and crayon on white paper
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Amoenissimae Effigies. Plate 23. Die Zuyder Zee.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 24. Das Meer.
1635
Wenceslaus Hollar
etching on paper
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Liber Studiorum. 73. Glaucus and Scylla
1775-1851
Joseph Mallord William Turner
etching and mezzotint on paper
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Amoenissimae Effigies. Plate 18. Zu Cîllen
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 19. Zu Dîren.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 21. Zu Delfshaven.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 22. Die Zuyder See.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 14. Rudelssheim im Rinckow
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 15. Zu Cobolentz
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 17. Zu Cîllen
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 10. Zu Strassburg
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 11. Zu Speier.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 4. Zu Nurnberg
1635
Wenceslaus Hollar
etching on paper
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