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Comparisons of Women to the Hundred and Eight Heroes of “Outlaws of the Marsh” [Tsûzoku suikoden gôketsu hyaku hachi nin no hitori]: the courtesan Hanaôgi of the Ôgiya

1825-1832

Utagawa Kuniyasu

woodblock print on paper

8th century

Chinese

bronze

Painted leather box

circa 1890-1910

Chinese

wood, leather, gold paint, and clear lacquer

Teabowl with iron glaze underpainting

circa 1967

Hamada Shōji

stoneware with iron glaze underpainting

Nagaraja (Serpent king)

circa 2nd century

Indian

mottled red sandstone

Bird on a branch

circa 1420 - circa 1435

Chinese

album leaf, ink and colors on silk

Arashi Rikan [I or II] in a samurai role

circa 1810-1837

Toyokawa Yoshikuni

woodblock print on paper

Iwai Hanshirô [V] as Okaru

1804-1825

Utagawa Toyokuni I

woodblock print on paper

Memorial portrait of Ichikawa Danjûrô VIII

1854

Utagawa Kunisada

woodblock print on paper

Vishnu Stele, four-armed Vishnu with two of his attributes personified

circa 10th century

Indian

black schist

Panoramic view of Nishi Honganji Temple, Kyoto

1803

Takehara Shunsensai

woodblock print on paper

Sawamura Sōjūrō III

circa 1770

Katsukawa Shunkō

woodblock print on paper

Lovebirds and Lightening in the Summer Rain: Iwai Matsunosuke IV as Katsuragi and Nakamura Tsuruzō II as a House Owner

1886

Toyohara Chikanobu

woodblock print on paper

Lovebirds and Lightening in the Summer Rain: Nakamura Fukusuke IV as Okuni

1886

Toyohara Chikanobu

woodblock print on paper

Lovebirds and Lightening in the Summer Rain: Kataoka Gadō III as Nagoya Sanza

1886

Toyohara Chikanobu

woodblock print on paper

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