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The UMMA Collection

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Artwork Type:
Venice
1867-1956
Sir Frank William Brangwyn
etching on paper
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Piazza in the Veneto (recto); Three Soldiers? (verso)
19th Century
Italian; Venetian
pen and brown ink with gray wash over black chalk
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San Moise, Venice
1903-1960
John Piper
color lithograph on paper
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The Grand Canal, Venice
1927
Louis Conrad Rosenberg
drypoint on paper
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Nocturne: Salute
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Nocturne: Palaces, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
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Ponte del Piovan, One of the “Twenty-six Etchings,” or the “Second Venice Set”
1879-1880
James Abbott McNeill Whistler
etching and drypoint on laid paper
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Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
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San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper
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The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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