The Collection – Page 4 – University of Michigan Museum of Art

Venice

1867-1956

Sir Frank William Brangwyn

etching on paper

Piazza in the Veneto (recto); Three Soldiers? (verso)

19th Century

Italian; Venetian

pen and brown ink with gray wash over black chalk

San Moise, Venice

1903-1960

John Piper

color lithograph on paper

The Grand Canal, Venice

1927

Louis Conrad Rosenberg

drypoint on paper

Nocturne: Salute

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

Nocturne: Palaces, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper

Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper, trimmed to platemark

The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in warm black ink on laid paper, trimmed to platem

Ponte del Piovan, One of the “Twenty-six Etchings,” or the “Second Venice Set”

1879-1880

James Abbott McNeill Whistler

etching and drypoint on laid paper

Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint printed in warm black ink on laid paper, trimmed to platemark

San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid paper

The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

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The UMMA Collection