The Collection – Page 40 – University of Michigan Museum of Art

The Terrace, Luxembourg

1894

James Abbott McNeill Whistler

transfer lithograph with stumping on laid paper

Conversation under the Statue, Luxembourg Gardens

1893

James Abbott McNeill Whistler

transfer lithograph with stumping on laid paper

The Pantheon, from the Terrace of the Luxembourg Gardens

1893

James Abbott McNeill Whistler

transfer lithograph with stumping on laid paper

The Young Tree

1887

James Abbott McNeill Whistler

etching, printed in warm black ink on laid paper, trimmed to platemark

The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint printed in warm black ink on laid paper, trimmed to platemark

The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

The Traghetto, No. 1

1879-1880

James Abbott McNeill Whistler

etching, printed in warm black ink on laid Japan paper

The Boy

1875-1876

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

The Little Forge

1875

James Abbott McNeill Whistler

drypoint on laid paper

Jo’s Bent Head

1861

James Abbott McNeill Whistler

drypoint, printed in dark brown ink on laid paper

Fanny Leyland

1874

James Abbott McNeill Whistler

drypoint on laid paper

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on laid Japan tissue

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on paper

The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’

1861

James Abbott McNeill Whistler

drypoint on laid Japan tissue

Jo’s Bent Head

1861

James Abbott McNeill Whistler

drypoint on laid paper

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