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The UMMA Collection

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The Terrace, Luxembourg
1894
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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Conversation under the Statue, Luxembourg Gardens
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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The Pantheon, from the Terrace of the Luxembourg Gardens
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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The Young Tree
1887
James Abbott McNeill Whistler
etching, printed in warm black ink on laid paper, trimmed to platemark
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The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
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The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Traghetto, No. 1
1879-1880
James Abbott McNeill Whistler
etching, printed in warm black ink on laid Japan paper
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The Boy
1875-1876
James Abbott McNeill Whistler
drypoint, printed in black ink on laid paper
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The Little Forge
1875
James Abbott McNeill Whistler
drypoint on laid paper
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Jo’s Bent Head
1861
James Abbott McNeill Whistler
drypoint, printed in dark brown ink on laid paper
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Fanny Leyland
1874
James Abbott McNeill Whistler
drypoint on laid paper
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Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”
1860
James Abbott McNeill Whistler
etching and drypoint on laid Japan tissue
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Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”
1860
James Abbott McNeill Whistler
etching and drypoint on paper
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The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’
1861
James Abbott McNeill Whistler
drypoint on laid Japan tissue
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Jo’s Bent Head
1861
James Abbott McNeill Whistler
drypoint on laid paper
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