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Artwork Type:
Cottage Door
1886
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark
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The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
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The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Doorway, from the “Twelve Etchings”, or the “First Venice Set”
1879-1880
James Abbott McNeill Whistler
etching, drypoint, and roulette on laid paper on laid paper
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Irving as Philip of Spain, No. 1
circa 1876-1877
James Abbott McNeill Whistler
drypoint, printed in black ink on laid paper
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Florence Leyland
circa 1873
James Abbott McNeill Whistler
drypoint, printed in dark brown ink on laid paper
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The Little Forge
1875
James Abbott McNeill Whistler
drypoint on laid paper
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The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’
1861
James Abbott McNeill Whistler
drypoint on laid Japan tissue
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Becquet, one of the “Sixteen Etchings,” or the “Thames Set”
1859
James Abbott McNeill Whistler
etching and drypoint on laid paper
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Finette
1859
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid Japan tissue
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The Title to the French Set; original paper wrappers of the set, one of the ‘Twelve Etchings from Nature,’ or the ‘French Set”
1858
James Abbott McNeill Whistler
etching and drypoint on on blue laid paper
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The Kitchen, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
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The Kitchen, one of the “Twelve Etchings from Nature,” or the “French Set”
1856-1858
James Abbott McNeill Whistler
etching on printed on Japan paper, laid down on white wove plate paper
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The Title Page for “Douze Eaux Fortes d’après Nature” or the French Set
1856-1858
James Abbott McNeill Whistler
etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper
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La Marchande de Moutarde, one of the “Twelve Etchings from Nature,” or the “French Set”
1858
James Abbott McNeill Whistler
etching, printed in black ink on Japan paper, laid down on white wove plate paper
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