The Collection – Page 48 – University of Michigan Museum of Art

Cottage Door

1886

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platemark

The Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint printed in warm black ink on laid paper, trimmed to platemark

The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

The Doorway, from the “Twelve Etchings”, or the “First Venice Set”

1879-1880

James Abbott McNeill Whistler

etching, drypoint, and roulette on laid paper on laid paper

Irving as Philip of Spain, No. 1

circa 1876-1877

James Abbott McNeill Whistler

drypoint, printed in black ink on laid paper

Florence Leyland

circa 1873

James Abbott McNeill Whistler

drypoint, printed in dark brown ink on laid paper

The Little Forge

1875

James Abbott McNeill Whistler

drypoint on laid paper

The Forge, One of the ‘Sixteen Etchings,’ or the ‘Thames Set’

1861

James Abbott McNeill Whistler

drypoint on laid Japan tissue

Becquet, one of the “Sixteen Etchings,” or the “Thames Set”

1859

James Abbott McNeill Whistler

etching and drypoint on laid paper

Finette

1859

James Abbott McNeill Whistler

etching and drypoint, printed in black ink on laid Japan tissue

The Title to the French Set; original paper wrappers of the set, one of the ‘Twelve Etchings from Nature,’ or the ‘French Set”

1858

James Abbott McNeill Whistler

etching and drypoint on on blue laid paper

The Kitchen, One of the ‘Twelve Etchings from Nature,’ or the ‘French Set’

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

The Kitchen, one of the “Twelve Etchings from Nature,” or the “French Set”

1856-1858

James Abbott McNeill Whistler

etching on printed on Japan paper, laid down on white wove plate paper

The Title Page for “Douze Eaux Fortes d’après Nature” or the French Set

1856-1858

James Abbott McNeill Whistler

etching and drypont, printed in black ink on Japan paper, laid down on white wove plate paper

La Marchande de Moutarde, one of the “Twelve Etchings from Nature,” or the “French Set”

1858

James Abbott McNeill Whistler

etching, printed in black ink on Japan paper, laid down on white wove plate paper

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