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Vista de Zaragoza
1953
Leopoldo Méndez
linoleum cut on paper
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Village on the Brenta, No. 9 out of series of 31, ‘Vedute, altre prese da i luog
circa 1744
Canaletto
etching, printed in brown ink on paper
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Tappan Zee
1924
Arthur B. Davies
lithograph on paper
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University of Chicago. Plate No. 3
1935
Redmond Wright
etching on paper
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Little London
1896
James Abbott McNeill Whistler
transfer lithograph wtih stumping on wove paper
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Little London
1896
James Abbott McNeill Whistler
transfer lithograph with stumping on wove paper
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Savoy Pigeons
1896
James Abbott McNeill Whistler
transfer lithograph on laid paper
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Vitré—The Canal
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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Balcony, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper
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The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
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Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in black ink on wove paper
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Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”
1860
James Abbott McNeill Whistler
etching and drypoint on paper
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Campo Vaccino (Forum Romanum)
1636
Claude Lorrain
etching on paper
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