The Collection – Page 6 – University of Michigan Museum of Art

Vista de Zaragoza

1953

Leopoldo Méndez

linoleum cut on paper

Village on the Brenta, No. 9 out of series of 31, ‘Vedute, altre prese da i luog

circa 1744

Canaletto

etching, printed in brown ink on paper

Tappan Zee

1924

Arthur B. Davies

lithograph on paper

University of Chicago. Plate No. 3

1935

Redmond Wright

etching on paper

Little London

1896

James Abbott McNeill Whistler

transfer lithograph wtih stumping on wove paper

Little London

1896

James Abbott McNeill Whistler

transfer lithograph with stumping on wove paper

Savoy Pigeons

1896

James Abbott McNeill Whistler

transfer lithograph on laid paper

Vitré—The Canal

1893

James Abbott McNeill Whistler

transfer lithograph with stumping on laid paper

Balcony, Amsterdam

1889

James Abbott McNeill Whistler

etching and drypoint, printed in warm black ink on laid paper

The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in warm black ink on laid paper, trimmed to platem

Long Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in black ink on wove paper

Rotherhithe, one of the “Sixteen Etchings,” or the “Thames Set”

1860

James Abbott McNeill Whistler

etching and drypoint on paper

Campo Vaccino (Forum Romanum)

1636

Claude Lorrain

etching on paper

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