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The UMMA Collection

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Marine Lanscape
circa 1635-1710
Abraham Storck
pen and brown ink wash on cream paper
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Nude Female Figure Lying Beside the Sea
1877-1953
Raoul Dufy
etching on paper
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Baigneuse
1877-1953
Raoul Dufy
color etching and aquatint on paper
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Life of the Thames
1910
Donald MacLaughlan
etching on paper
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IX. OCEANO NOX – Cover sheet for printed musical composition (poem by Richepin s
1895; 20th century
Henri de Toulouse-Lautrec
lithograph with crayon and brush on paper
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X. LES HIRONDELLES DE MER-Cover sheet for printed musical composition (poem by Richepin set to music by Dihau). From a Portfolio of 14 lithographs.
stone 1895; 20th century
Henri de Toulouse-Lautrec
lithograph with crayon on paper
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V. LES PAPILLONS – Cover sheet for printed musical composition (poem by Richepin
stone 1895; 20th century
Henri de Toulouse-Lautrec
lithograph with crayon on paper
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VI. L’HARENG SAUR – Cover sheet for printed musical composition (poem by Richepi
stone 1895; 20th century
Henri de Toulouse-Lautrec
lithograph with crayon on paper
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Assaut de deux forteresses (Assault on Two Fortresses) from “La Vie de Ferdinand Ier de Médicis.”
1616
Jacques Callot
engraving on paper
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Limehouse
1878
James Abbott McNeill Whistler
lithotint on heavy wove paper
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Upright Venice, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in black ink on laid paper, trimmed to platemark
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The Riva, No. 2, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in warm black ink on laid paper, trimmed to platem
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San Giorgio, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in black ink on wove paper
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The Little Mast, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in brown ink on laid paper, trimmed to platemark
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