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Artwork Type:
Piazza in the Veneto (recto); Three Soldiers? (verso)
19th Century
Italian; Venetian
pen and brown ink with gray wash over black chalk
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Triumph of Mordecai
17th century
Francesco Salviati
black chalk with gray wash
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Studies of Soldiers Heads and Arms
1688-1737
François Lemoyne
black chalk, heightened with white, on blue-gray paper
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Caesar Pausing at the Rubicon
late 16th century
Federico Zuccaro
pen and brown ink with brown wash
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The Martyrdom of Sts. Valerian and Cecilia
18th century
Lorenzo Peracini
pen and black and brown ink with gray wash, laid down
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A Group of Cavalrymen
18th century
Charles Parrocel
black and red chalk on cream paper, laid down
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A Group of Musketeers
18th century
Charles Parrocel
black and red chalk, laid down
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Battle Scene
17th century
Michelangelo Cerquozzi
pen, brown ink and gray wash on buff paper, laid down
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Battle Between the Christians and the Saracens, a scene from Torquato Tasso, “La Gerusalemme Liberata”
17th century
Laurent de La Hyre
black and white chalk on brown paper, laid down
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Studies – Sheet of studies of a Group of Officers with presumed portrait of Capt
17th century
Pieter van der Meulen
black chalk, heightened with white on prepared blue-gray paper
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Soldier Writing a Letter, Görz, Austria
1915
André Kertész
gelatin silver print on paper
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Enlisting of the Troops, No. 2 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
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Capture of the Resistance, No. 9 from ‘Les Grandes Misères de la Guerre’
1633
Jacques Callot
etching on paper
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Maison Close
1921
Eugène Atget; Berenice Abbott
gold-toned gelatin silver print on paper
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The Passion No.7. Christ Crowned with Thorns
1509
Lucas Cranach The Elder
woodcut on paper
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