The Collection – Page 6 – University of Michigan Museum of Art

Section of a Plasterwork Ceiling

1663-1752

Daniel Marot

pen and bistre ink with gray wash

An Urn Decorated with Two Winged Figures Holding a Relief, the Handles Formed by

mid 18th century

Italian

graphite, pen and bistre ink with gray wash

An Urn Decorated with Draped Winged Mermaids, and in the Center an Oval Relief u

mid 18th century

Italian

graphite, pen and bistre ink with gray wash

Corner Decoration of a Painted Ceiling

1735-1817

Flaminio Innocenzo Minozzi

pen and grayish-brown ink with brown wash

Illustrated page from Rimbaud’s Les Illuminations, Lausanne, 1949. ‘J’ai seul l

1881-1955

Fernand Léger

lithograph on paper

Design for a Tomb

1746-1809

Giuseppe Barberi

pen and brown ink with ink wash

Design for a Tomb in a Niche

1746-1809

Giuseppe Barberi

pen and brown ink with ink wash

Zwecklos sich dagegen aufzulehnen (It is Useless to Resist It)

1877-1957

Alfred Kubin

lithograph on paper

Los Caprichos, pl. 46: Corrección (Correction)

1746-1828

Francisco José de Goya y Lucientes

aquatint and etching on paper

The Infant Christ and St. John the Baptist with Two Angels

1837-1932

William Unger

etching on paper

Old Knight (Vieux Chevalier)

1896

Odilon Redon

lithograph on paper

Apollyon

1757-1827

William Blake

graphite on white paper

Los Proverbios (also known as “Los Disparates”), plate 13: Donde hay ganas hay maña (“Where there’s a will there’s a way”) or Modo de volar (A way of flying)

circa 1864-1900

Francisco José de Goya y Lucientes

etching, aquatint and drypoint? on paper

Tobias and the Archangel Raphael

1740-1808

Clément Marillier

ink and wash, heightened with white chalk on toned paper

Triumph of St. Michael; Verso: Female Head

17th century

Italian; Venetian

pen, wash, crayon and Sanguine on white paper

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