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Section of a Plasterwork Ceiling
1663-1752
Daniel Marot
pen and bistre ink with gray wash
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An Urn Decorated with Two Winged Figures Holding a Relief, the Handles Formed by
mid 18th century
Italian
graphite, pen and bistre ink with gray wash
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An Urn Decorated with Draped Winged Mermaids, and in the Center an Oval Relief u
mid 18th century
Italian
graphite, pen and bistre ink with gray wash
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Corner Decoration of a Painted Ceiling
1735-1817
Flaminio Innocenzo Minozzi
pen and grayish-brown ink with brown wash
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Illustrated page from Rimbaud’s Les Illuminations, Lausanne, 1949. ‘J’ai seul l
1881-1955
Fernand Léger
lithograph on paper
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Design for a Tomb
1746-1809
Giuseppe Barberi
pen and brown ink with ink wash
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Design for a Tomb in a Niche
1746-1809
Giuseppe Barberi
pen and brown ink with ink wash
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Zwecklos sich dagegen aufzulehnen (It is Useless to Resist It)
1877-1957
Alfred Kubin
lithograph on paper
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Los Caprichos, pl. 46: Corrección (Correction)
1746-1828
Francisco José de Goya y Lucientes
aquatint and etching on paper
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The Infant Christ and St. John the Baptist with Two Angels
1837-1932
William Unger
etching on paper
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Old Knight (Vieux Chevalier)
1896
Odilon Redon
lithograph on paper
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Apollyon
1757-1827
William Blake
graphite on white paper
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Los Proverbios (also known as “Los Disparates”), plate 13: Donde hay ganas hay maña (“Where there’s a will there’s a way”) or Modo de volar (A way of flying)
circa 1864-1900
Francisco José de Goya y Lucientes
etching, aquatint and drypoint? on paper
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Tobias and the Archangel Raphael
1740-1808
Clément Marillier
ink and wash, heightened with white chalk on toned paper
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Triumph of St. Michael; Verso: Female Head
17th century
Italian; Venetian
pen, wash, crayon and Sanguine on white paper
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