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Amoenissimae Effigies. Plate 11. Zu Speier.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 12. Bey Hanaw.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 5. Zu Augspurg
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 6. An dem Neckar.
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 8. Am Rhein bey Strassburg
1635
Wenceslaus Hollar
etching on paper
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Amoenissimae Effigies. Plate 3. Zu Prag.
1635
Wenceslaus Hollar
etching on paper
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In the Meadows
1889-1950
Richard Seewald
color lithograph on paper
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Amour. Plate 2: Les attitudes sont faciles et chastes
1898
Maurice Denis
color lithograph on wove paper
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Ravens Craig Castle
1835
John Ewbank
graphite on cream-colored paper
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Los Proverbios (also known as “Los Disparates”), plate 3: Andarse por las ramas (“To go amongst the branches,” i.e. “to talk through one’s hat”) or Disparate ridiculo (Ridiculous folly)
circa 1864-1900
Francisco José de Goya y Lucientes
etching, aquatint and drypoint on paper
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In the Park
1880-1949
Abraham Walkowitz
watercolor with graphite indications on white paper
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The Fifty-Three Stations of the Tokaido (Gyôsho Edition): #40 Chiriu
circa 1841-1842
Utagawa Hiroshige
color woodblock print on paper
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A Bucks County Farmhouse
1937
Thomas Nason
wood engraving on paper
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Swinging Bridge
1907-1949
Emil Weddige
lithograph on paper
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Landscape with Figures
17th century
Jan Heyden
brush and wash on white paper
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