American Sampler: Activating the Archive
The Art, Language, and Legacy of Protest
American Sampler: Activating the Archive looks back to a period when protest reshaped the nation. Curated by MacArthur Fellow Julie Ault in collaboration with the University of Michigan’s Labadie Collection of political dissent, this eighteen-month exhibition transforms UMMA’s towering Vertical Gallery into a living record of activism.
Bringing together artworks, archival documents, and rare ephemera from the 1950s through the 1970s, American Sampler explores the interconnected movements for Black Freedom, civil rights, and resistance to the Vietnam War—and the visual strategies that gave them power. Through striking juxtapositions of art and protest material, the exhibition asks visitors to consider how acts of dissent are built, communicated, and remembered.
Featuring works by Romare Bearden, Robert Indiana, Corita Kent, Jacob Lawrence, Nancy Spero, Félix González-Torres, and others alongside archival materials such as protest posters, Freedom Rider testimonials, GI resistance material, and courtroom records from the Chicago Seven trial, American Sampler uplifts the shared aims of art and activism. Opening in advance of the United States’ 250th anniversary, Ault offers a timely reflection on dissent as a cornerstone of American democracy and identity.
Select works in this exhibition
SUPPORT
Lead support for this exhibition is provided by Joseph and Annette Allen, Nicole and Matthew Lester, Erica Gervais Pappendick and Ted Pappendick, Catherine Glynn Benkaim and Barbara Timmer, Susan and Richard Gutow, the U-M Arts Initiative, the U-M Institute for the Humanities, the Mary L. Wolter Welz Fund, and the Marvin H. and Mary M. Davidson Endowed Fund. Additional generous support is provided by the U-M CEW+ Frances and Sydney Lewis Visiting Leaders Fund, the U-M Inclusive History Project, the U-M Department of History, and the U-M Eisenberg Institute for Historical Studies.
