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A side: Mandarin ducks and plum trees, by Yokoyama Seiki<br />B side: Lakeside landscape, by Okajima Seikô

Yokoyama Seiki and Okajima Seikō; Okajima Seikō

Artwork Details

A side: Mandarin ducks and plum trees, by Yokoyama Seiki<br />B side: Lakeside landscape, by Okajima Seikô
circa 1850-1865
Yokoyama Seiki and Okajima Seikō; Okajima Seikō
ink and light colors with gold dust on paper
75 in x 40 in x 3 1/8 in (190.5 cm x 101.6 cm x 7.9 cm);66 9/16 in x 36 5/8 in x 3/4 in (169 cm x 93 cm x 1.97 cm);68 5/8 in x 38 3/4 in x 1 in (174.3 cm x 98.4 cm x 2.58 cm)
Gift of Helmut Stern
2003/1.405.2

On Display

Not currently on display

Description

2003/1.405.1-4 comprises two sets of four panels of fusuma-e (sliding doors) still in their original frames, with the metal door pulls set into each of the paintings. One side, across all four panels, depicts mandarin ducks and plum trees, by Yokoyama Seiki (1793–1865); and on the reverse is a river landscape by Seiki's pupil, Okajima Seikô (1828–1877). Both artists worked in Kyoto, in the naturalist (Shasei) school. Screens such as these would have adorned the residential quarters of a temple compound or the private home of a wealthy individual.

Subject Matter:

Yokoyama Seiki (1793–1865) and his pupil Okajima Seikô (1828–1877), worked in Kyoto, in the naturalist (Shasei) school. Screens such as these would have adorned the residential quarters of a temple compound or the private home of a wealthy individual.

"The "four gentlemen" subjects of bamboo, orchid, plum, and chrysanthemum, subjects favoured by Chinese literati as a fitting exercise in ink-play that was very close to calligraphy. "

Addiss, Stephen. Nanga Paintings. London: R. G. Sawers, 1975.

Physical Description:

2003/1.405.1-4 comprises two sets of four panels of fusuma-e (sliding doors) still in their original frames, with the metal door pulls set into each of the paintings. One side, across all four panels, depicts mandarin ducks and plum trees, by Yokoyama Seiki (1793–1865); and on the reverse is a river landscape by Seiki's pupil, Okajima Seikô (1828–1877).

Usage Rights:

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