Ancestor figure (male in Manda style)
Tabwa
Description
These finely carved figures, called MIKISI, represent a chief and his two wives. The figures refer both to the royal lineage of the chief who owned them, and to the culture hero Kyomba and his principle wives, who introduced chiefship and other important social institutions and technologies to Tabwa. Delicately detailed patterns of hair styling and scarification emphasize the body midline, which marks the thresholds between the symmetrical sides of the body. Right and left are symbolically opposed for Tabwa as for most of the world's peoples. A person bearing such a scarification pattern communicates the harmony of these opposing forces in his or her own being. Figures like these were kept in special spirit houses, where a chief would occasionally retire to sleep and have dreams inspired by the spirits they represented. Most such sculptures were destroyed during the colonial period, because of Christian proselytism, or have been sold to the Western art market. Today if Tabwa chiefs possess ancestral figures, they are made of clay and kept in utmost secrecy. The trio of figures now in the permanent collection of the University of Michigan Museum of Art is one of only a very few clusters of MIKISI in any public collection.
Subject Matter:
Representation of a male ancestor figure. The incised patterns on the figure mimic body scarification patterns then in use in Tabwa communities. The patterns are a kind of cosmogram: the symmetry and zigzag lines depict Tabwa conceptions of the relationships between the divine and earthly. Scarification is a kind of memory-making: the process of undergoing scarification creates a distinct mnemonic device, allowing the past to be quickly and vividly recalled in the present. In both skin and wood, the patterns associated with ancestral ties are made durable. The figure's coiffure is long, typical of Tabwa males, and denotes age and status.
Physical Description:
Carved wood figure of a human. The figure's torso, neck, and head are cyclindrical and elongated on the vertical axis. The figure's arms rest by its umbilicus, which protrudes slightly. Details of the hair, face, hands, genitals, and feet are carved in. The figure is incised with symmetrical, zigzag-ing lines.
Usage Rights:
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