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Apron

Northern Cameroon; Northeastern Nigeria; Southern Chad

Artwork Details

Apron
circa 1890-1920
Northern Cameroon; Northeastern Nigeria; Southern Chad
fiber and beads
18 1/8 x 4 1/8 x 1 in. (46.04 x 10.48 x 2.54 cm); ; ;
Gift of Dr. James and Vivian Curtis
2000/2.49

Description

Subject Matter:

This object is listed as made by Kirdi peoples; while most likely correct, it is not without issue. “Kirdi”, meaning pagan, was the label given to the various peoples from northern Cameroon, northeastern Nigeria, and southern Chad by neighboring Fulani and Kanuri peoples because they did not practice Islam, while the latter do. The people collectively known as “Kirdi” are actually many different cultural groups with their own customs. However, due to a lack of information on where exactly this object came from, it is not possible to say with certainty which group of people created it.

Aprons, called pikuran in some areas, were worn by Kirdi girls and women on special and ceremonial occasions. Around the age of six or seven young girls began wearing a leather belt with two straps, sometimes with a second string belt, where four string panels would hang down in front and one in back. At a marriageable age, young women wore beaded aprons to indicate their eligibility for marriage. In addition to aprons, belts of brass rings or beads were also worn, as more objects displayed a woman’s wealth and status. Various designs and styles referred to a woman’s cultural group, marital status, and age. When Cameroon gained independence in 1961, the government issued regulations requiring that women be fully dressed. In some areas, these aprons are still used, but no longer made.  

References Cited: 
Gebauer, Paul. 1979. Art of Cameroon. Portland, Or.: Portland Art Museum.
Lembezat, Bertrand. 1961. Les populations païennes du Nord-Cameroun et de l'Adamaoua. Paris: Presses Universitaires de France.
Lembezat, Bertrand. 1952. Mukulehe; un clan montagnard du Nord-Cameroun; coutumes, rites, croyances. Paris: Berger-Levrault.
Northern, Tamara. 1984. The Art of Cameroon. Washington, D.C.: Smithsonian Institution.
Page, Donna. 2007. A Cameroon World. New York: QCC Art Gallery Press.

Physical Description:

Apron in the form of fiber fringe attached to a woven loop at the top. Over the fiber is rectangular red and white beadwork with a pattern of triangles and small dots. 

Usage Rights:

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