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Beige Nagoya-style obi with landscapes painted by Takizawa Kôyû

Sensh

Artwork Details

Beige Nagoya-style obi with landscapes painted by Takizawa Kôyû
circa 1940-1960
Sensh
dupioni (tamaito) silk with hand-painted landscape design
146 1/16 in x 12 in (371 cm x 30.5 cm);29 15/16 in x 18 1/8 in x 6 5/16 in (76 cm x 46 cm x 16 cm)
Gift of Howard and Patricia Yamaguchi
2005/1.332

Description

Senshô Ksen (dyeing atelier) and Takizawa Kôyû, collaborative effort
Beige Nagoya-style obi with landscape painted by Takizawa Kôyû
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Nagoya obi
Japan, Showa period (1926–1989)
1930s–50s
Black silk with gold- and silver-wrapped thread
Gift of Howard and Patricia Yamaguchi, 2005/1.343
Nagoya obi
Japan, Showa period (1926–1989)
1960s
Black silk damask with metallic thread embroidery
Gift of Howard and Patricia Yamaguchi, 2005/1.330
Takizawa Kôyû
Japan, active 1940–1960
Nagoya obi
Showa period (1926–1989)
circa 1940–60
Tamaito (dupioni) silk with hand-painted landscape design
Gift of Howard and Patricia Yamaguchi, 2005/1.332
Nagoya obi
Japan, Showa period (1926–1989)
1930s–50s
Silk damask with woven pattern and metallic thread embroidery
Gift of Howard and Patricia Yamaguchi, 2005/1.331
Obi
Japan, Showa period (1926–1989)
1940s–50s
Silk with Saga brocade appliqués
Gift of Howard and Patricia Yamaguchi, 2005/1.335
On kimono, Saga brocade appliqués seem almost like delicately painted designs. The poems on the fan-shaped Saga brocades of this pink-grey obi were specially commissioned from a professional calligrapher by Iwata Shizuka; they allude to a long tradition of applying calligraphy directly to kimono during the Edo period (1615–1868).
Because of its origin as a pastime for the ladies-in-waiting of the Nabeshima clan, Saga brocade continues to be practiced today by women of upper-class families. Soon after she married in 1950, Iwata Shizuko took a class to learn the Saga brocade weaving technique. Both she and her mother liked the understated, elegant beauty of Saga brocade.
(Wrapped in Silk & Gold Exhibition, Summer 2010)

Subject Matter:

Nagoya obi were first produced at the end of the Taisho era, and are simpler than the more formal fukuro and maru obi. A portion of Nagoya obi fabric is folded and stitched in half, making it easier to tie. Senshô Kasen was the dyeing atelier and Takizawa Kôyû is responsible for the hand-painted designs.

Physical Description:

Beige dupioni (tamaito) silk with hand-painted landscape designs depicted streams and bridges in wooded mountains. Ground fabric possible dyed with tea.

Usage Rights:

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