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Blue Mountains and White Clouds<br />

Chinese

Artwork Details

Blue Mountains and White Clouds<br />
14th century (or later)
Chinese
fan mounted as hanging scroll, ink and color on silk
10 3/8 in. x 10 13/16 in. ( 26.35 cm x 27.5 cm )
Gift of Mr. and Mrs. C.D. Carter
1970/2.157

On Display

Not currently on display

Description

Blue Mountains and White Clouds
China

Ming dynasty (1368–1644)
After 14th century
Fan mounted as hanging scroll, ink and color on silk Gift of Mr. and Mrs. C.D. Carter, 1970/2.157

This painting offers viewers an intimate experience of the reclusive ideal of living a peaceful life. Below the looming mountaintops, a lone figure in white makes his way across a wooden bridge. Rooted into the mountainside is a “greeting- guest pine,” which bends over the traveler, welcoming

him to the pavilion above, a secluded location promising a spectacular view.

This work is signed Qianli Boju, the alternate name of
the famous twelfth-century painter Zhao Boju, known for exquisite paintings using malachite green and azurite blue mineral pigments. Close analysis of the painting style, however, suggests that it was painted no earlier than the fourteenth century. Thus scholars believe the signature was probably added by someone who wanted to sell the painting for a higher price than could be fetched by an anonymous work. In spite of this, the painting provides an accomplished example of an artist imitating an earlier style.

Subject Matter:

Mountains in Chinese culture have long been recognized as majestic, where deities, spirits and immortals could reside. The blue and green mountains in this scroll evoke Tang period (618-907 CE) painting style, as well as the famous twelfth century painter Zhao Boju. Zhao Boju was famous for his exquisite paintings making use of malachite green and azurite blue mineral pigments, and this work is signed with his alternate name Qianli Boju. The signature was probably added by someone who wanted to sell the painting for a higher price than could be fetched by an anonymous work.
Rooted into the mountainside a “greeting-guest pine” bends over the traveler, welcoming the traveler the pavilion above.

Physical Description:

The green mountains in this fan painting appear truly vertical and solid. The clouds, too, in spite of their rounded edges appear to be frozen in space. A pine tree bends over the side of the cliff, with its foliage over a traveler in white crossing a bridge below.

Usage Rights:

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