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Buddha, seated in the ardha padmasana pose, in bhumisparsa mudra (Chieng Sen style)

Thai

Artwork Details

Buddha, seated in the ardha padmasana pose, in bhumisparsa mudra (Chieng Sen style)
1500-1599
Thai
bronze
15.9 x 12 3/16 x 6 15/16 in. (40.5 x 30.9 x 17.5 cm);14 5/8 x 11 1/4 x 6 3/4 in. (37 x 28.5 x 17 cm);15.9 x 12 3/16 x 6 15/16 in. (40.5 x 30.9 x 17.5 cm)
Gift of John Adams Thierry in memory of Louis Sidney Thierry
1993/2.48

Description

March 28 2009
This sculpture depicts the Buddha performing the earth-touching gesture (maravijaya mudra), which refers to the moment when he subdued Mara, the god of death and desire, and called the earth to witness his right to achieve enlightenment. This moment is the subject of virtually every primary image in the monasteries of Thailand. The Buddha’s elongated earlobes refer to his early life as a prince, when he wore heavy earrings. When he left his father’s palace and renounced material possessions, he cut off his long hair and removed all his jewelry. The holes left by his earrings remind the faithful that they, too, should reject worldly goods and pleasures.
Texts that describe how a Buddha’s face should look often use comparisons to natural forms such as “eyes like lotus petals,” “eyebrows like an archer’s bow,” and “a chin like a mango stone.” The artist who created this sculpture clearly followed similar descriptions.
(Label for UMMA Buddhist Gallery Opening Rotation, March 2009)

Subject Matter:

The Buddha in bhumisparsa mudra (the gesture of touching the earth with his right hand, palm inward), signaling his victory over Mara. In Southeast Asian contexts, this hand gesture is often referred to as Maravijaya mudra, or "victory over Mara."

Physical Description:

The Buddha in bhumisparsa mudra (the gesture of touching the earth with his right hand, palm inward), signaling his victory over Mara. In Southeast Asian contexts, this hand gesture is often referred to as Maravijaya mudra, or "victory over Mara." The Buddha’s elongated earlobes refer to his early life as a prince, when he wore heavy earrings. Texts that describe how a Buddha’s face should look often use comparisons to natural forms such as eyes like lotus petals, eyebrows like an archer’s bow, and a chin like a mango stone. The artist who created this sculpture clearly followed similar instructions.

Usage Rights:

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