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Cadillac Eldorado, Sandy Point Site, Albuquerque International Sunport, New Mexico, U.S.A.

Patrick Nagatani

Artwork Details

Cadillac Eldorado, Sandy Point Site, Albuquerque International Sunport, New Mexico, U.S.A.
1996; printed 2001
Patrick Nagatani
gelatin silver print on paper
6 in x 8 in (15.24 cm x 20.32 cm)
Gift of Thomas Wilson '79 and Jill Garling '80
2013/2.500

On Display

Not currently on display

Description

Subject Matter:

This photograph depicts a view looking down into an archeological site. A vertical wall of dirt fills the entire frame of the photograph, and arrayed throughout the composition are various archeological tools: shovels, pickaxes, and sifting screens, as well as various crates, fuel canisters and other unidentifiable mechanisms. In the center of the photograph, partially emerging from the wall of earth, is the form of a car. Still covered in a patina of dirt, the car’s side window is open, making its cab appear dark and tomblike.  The vision conjures up associations of catastrophes, such as the remains of Pompeii and Herculaneum, ancient Roman cities buried under five meters of volcanic ash. The form of the car however—a Cadillac Eldorado, as the artist’s inscription informs us—is an unfamiliar sight in this archeological context.

On closer inspection however, it is evident that the scene is actually a view of a miniature model, an elaborate diorama. This photograph is a part of the series, the Ryoichi/Nagatani Excavations, in which the artist created a  narrative surrounding a fictitious Japanese archaeologist named Ryoichi. By chance, Ryoichi discovers a mysterious set of documents that lead him to various sites of ancient cultural importance around the world. Excavating this locations in secret, Ryoichi’s team discovers buried evidence of an ancient automobile culture that inexplicably parallels our own. Nagatani presents himself as the photographer for these secret excavations, claiming his photographs are the sole evidence of the project's existence. The elaborate, outlandish story reveals Nagatani’s interest in photography’s supposed verisimilitude, and explores the intersection of documented facts and contrived fictions.  

Physical Description:

This photograph depicts a view looking down into an archeological dig site in which a buried car is being excavated.

Usage Rights:

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