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Christ giving communion to the Apostles in an historiated initial “C”

Dutch

Artwork Details

Christ giving communion to the Apostles in an historiated initial “C”
1440-1460
Dutch
tempera and gold leaf on vellum
2 1/8 x 2 in. (5.4 x 5.08 cm);19 ¼ x 14 ¼ in. (48.89 x 36.2 cm);5 1/8 x 4 7/8 in. (13.02 x 12.38 cm)
Museum Purchase
1968/2.44

Description

The initial "C" enframes a scene of Christ offering communion to the apostles. Christ stands in front of an altar, with the chalice in one hand and the host—imprinted with a Crucifixion scene—in the other. Eight apostles kneel at a structure that serves both as the table of the Last Supper and an altar rail. The small size of the initial may have constrained the artist to depict only eight Apostles instead of the usual twelve.
This tiny illumination was cut at some point in its history from a missal or Book of Hours with a liturgical text. The initial represents the beginning of the introit to the Mass on the Feast of Corpus Christi, written in 1264 by Saint Thomas Aquinas, and derived from Psalm 80:17: "He fed [cibavit] them with the fat of wheat, and filled them with honey out of the rock."
Exhibition label text, collections gallery, by Curator Annette Dixon, April 2001

Subject Matter:

This miniature scene, enclosed within the letter "C," depicts Christ standing before an altar giving the bread and wine of communion to the Apostles. The painting has been cut from a manuscript, where the letter "C" served as the initial letter of the phrase used to begin the mass for the Feast of Corpus Christi, an important Christian holy day dedicated to commemorating Christ's bodily sacrifice. The image of communion in the miniature introduces this feast perfectly, since according to Catholic belief the bread and wine were transformed into Christ's body and blood during the mass.

Physical Description:

Eight robed male figures, each with a halo, kneel before a v-shaped bench or rail. They face a male figure with a crossed halo that stands on the other side of the bench, holding a golden chalice in his left hand and a circular white wafer imprinted with a crucifixion scene in his right. An altar draped with a red cloth appears behind him. The entire scene is enframed within the letter "C."

Usage Rights:

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