Dark purple kimono with overall jacquard woven pattern of chrysanthemums in dark brown, silver, and gold
Japanese
Description
Kimono
Japan, Showa period (1926–1989)
1930s–50s
Silk crepe with interwoven brown and silver and gold-coated threads
Gift of Howard and Patricia Yamaguchi, 2005/1.393
Underkimono
Japan, Showa period (1926–1989)
1960s–80s
Silk crepe with twill geometric design
Gift of Howard and Patricia Yamaguchi, 2005/1.394
Nagoya obi
Japan, Showa period (1926–1989)
1930s–50s
Black satin with woven appliqués
Gift of Howard and Patricia Yamaguchi, 2005/1.341
Obijime (obi cord)
Japan, Showa period (1926–1989)
1960s–80s
Woven silver metallic thread
Gift of Howard and Patricia Yamaguchi, 2005/1.366
Obidome (obi brooch)
Japan, Showa period (1926–1989)
circa 1950–75
Metal with gold inlay
Gift of Howard and Patricia Yamaguchi, 2005/1.368
This kimono is one of several in the Yamaguchi Collection that were worn by Iwata Shizuka for informal occasions. Here, the chrysanthemum patterns are woven rather than hand painted. Though woven kimono may be as labor-intensive and expensive to produce as hand-painted yûzen, they are mostly used for casual wear. Iwata Shizuka would have worn a woven kimono such as this with a Nagoya obi, an informal type invented in the 1920s. While regular obi must be folded into multiple layers before being tied, two thirds of the length of a Nagoya obi has been sewn into a narrower strip, making it is easier to tie and more comfortable to wear. Over this casual ensemble she would have worn a haori with a family crest, which made it appropriate for business. The combination of woven kimono and haori creates a sense of formality similar to wearing a jacket and tie over a sporty shirt. Iwata Shizuko vividly remembers her mother wearing haori to her office every day.
(Wrapped in Silk & Gold Exhibition, Summer 2010)
Gallery Rotation Spring/Summer 2012
Kimono
Japan, Showa period (1926–1989)
circa 1930s–1950s
Silk crepe with interwoven brown, silver, and gold-coated threads
Gift of Howard and Patricia Yamaguchi, 2005/1.393
This kimono is one of several in the Yamaguchi Collection that were worn by Japanese business woman Iwata Shizuka (1899–1975) for informal occasions. Here, the chrysanthemum patterns are woven rather than hand painted. Though woven kimono can be quite labor-intensive and expensive to produce, they are nevertheless mostly used for casual wear. Over this kimono she would have worn a mid-thigh length jacket called a haori (an example is on view in this gallery) with a family crest, which made the ensemble appropriate for business. The combination of a woven kimono and haori creates a sense of formality similar to wearing a jacket and tie over a sporty shirt.
Subject Matter:
This kimono is one of several in the Yamaguchi Collection that were worn by Iwata Shizuka for informal occasions. Here, the chrysanthemum patterns are woven rather than hand painted. Though woven kimono may be as labor-intensive and expensive to produce as hand-painted y?zen, they are mostly used for casual wear. Over this kimono she would have worn a haori (see haori in the gallery) with a family crest, which made it appropriate for business. The combination of a woven kimono and haori creates a sense of formality similar to wearing a jacket and tie over a sporty shirt. Iwata Shizuko vividly remembers her mother wearing haori to her office every day.
Physical Description:
Silk crepe repp with interwoven brown and silver- and gold-colored synthetic metallic threads in the design of chrysanthemum blossoms. Lining is plain weave silk for upper half; purple for lower half and inner cuffs.
Usage Rights:
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