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Digambara Jain manuscript page: Jina and worshipper

Artist Unknown, India, Rajasthan, Sirohi School

Artwork Details

Digambara Jain manuscript page: Jina and worshipper
circa 18th century
Artist Unknown, India, Rajasthan, Sirohi School
ink, opaque watercolor, and gold on paper
11 1/8 in x 7 1/16 in (28.3 cm x 18 cm);11 1/8 in x 7 1/16 in (28.3 cm x 18 cm)
Gift of Dr. and Mrs. Leo S. Figiel and Dr. and Mrs. Steven J. Figiel.
1975/2.165

Description

In the upper register of this folio, a woman holds a child who is crowned and adorned with jewels. The golden hue of the infant, along with the fan held above their heads signifies the child’s importance. They sit in devotion before a Jina (Jain teacher) indicated by his nudity—a trademark of Jina of the Digambara sect and a sign of purity.
For Jain devotees, commissioning a book fulfills the lay obligation of charity, while beholding a book helps the individual achieve the proper mental state for spiritual guidance. It was customary for a lay donor to commission a copy of a text for presentation to his spiritual teacher and ultimately to the monk’s temple library. Over the centuries, libraries received great quantities of texts, which were employed in the instruction of monks and nuns. Monks and nuns were discouraged, however, from practicing the art of painting: one text expressly warns them of the power of painting to arouse sensual feelings.
(6/28/10)
(South and Southeast Asia Gallery Rotation, Spring 2010)

Subject Matter:

Dedication of sacred books is required of Jain devotees, and book production reflects the integral relationship among the laity, monastic community, and the Jina. Commissioning a book fulfills the lay obligation of charity, while beholding a book helps the individual achieve the proper mental state for spiritual guidance. It was customary for a lay donor to commission a copy of a text for presentation to his spiritual teacher and ultimately to the monk’s temple library. Over the centuries, libraries received great quantities of texts, which were employed in the instruction of monks and nuns. Monks and nuns were discouraged, however, from practicing the art of painting: one text expressly warns them of the power of painting to arouse sensual feelings.

Physical Description:

In the upper register of this folio a woman holds a child who is crowned and adorned with jewels. The golden hue of the infant, along with the fan held above their heads signifies the child’s importance. They sit in devotion before a Jina, indicated by his nudity—a trademark of Digambara Jina and a sign of purity.

Usage Rights:

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