Kimono
Japanese
Description
This kimono with a white chrysanthemum pattern was created using the shibori dyeing technique. Tiny pinches of fabric were twisted up and tightly bound with thread before the whole piece of cloth was dyed. After dyeing, the binds were
undone, leaving tiny dye-reserved rings of white around spots of color. Here these comprise the white lines of the flowers. Among the multiple methods of shibori dyeing and the infinite number of patterns that these may produce, the most common is kanoko shibori (meaning “fawn dapple,” a poetic reference to the dots on a fawn’s back). This painstaking technique was in vogue among the rich merchant class in
Edo (present-day Tokyo) in the aesthetically heightened era of Genroku (the end of the seventeenth century). The all-over dapple type, called sô shibori, in which the entire kimono is covered with tiny dapples, was considered so outrageously
luxurious that it was banned by the sumptuary laws of 1686.
Spring/Summer Gallery Rotation 2015
Subject Matter:
This kimono required a labor intensive technique called shibori, in which hundreds of hours would have been spent tying up each small section where white can be seen on the kimono before immersing it in dye. Shibori textiles are very expensive due to the time and skill required to produce them.
Physical Description:
Purple silk damask with hitome kanoko floral design in graduated scale, from small at collar to large at hem. Lining is plain white silk at the top, the lower third and sleeve ends are purple.
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