Landscape with Bamboo Grove and Building Perched at Summit

Subject Matter:

"The "four gentlemen" subjects of bamboo, orchid, plum, and chrysanthemum, subjects favoured by Chinese literati as a fitting exercise in ink-play that was very close to calligraphy. "

Addiss, Stephen. Nanga Paintings. London: R. G. Sawers, 1975.

"Nanga (southern painting) or Bunjinga (scholar or literati painting) artists took a form of Chinese painting as their model. The Chinese Ming dynasty artist/theorist Dong Qichang (1555–1636) established two categories of painting: northern painting, which was orthodox and academic (painters were formally trained and sold their work for a living); and southern painting, which was freely executed and expressive (ideally these artists were scholar-amateurs who did not paint for a living). Japanese literati artists, although forbidden to travel to China, studied and emulated the southern style of painting and Chinese art theories through imported books. Nanga painters generally declined to serve the samurai class, and preferred instead to survive by selling works to educated merchants and farmers. They often painted for each other and prided themselves as being intellectuals, poets, tea masters, raconteurs, as well as painters. They are most associated with smaller formats, such as hanging scrolls and fans, but several Nanga artists also produced screen paintings. Nanga artists primarily resided in Kyoto and Osaka."

“Japanese Painting: Nanga and Bunjinga School: Education: Asian Art Museum.” Asian Art Museum, education.asianart.org/resources/japanese-painting-nanga-and-bunjinga-school/.

 

Physical Description:

Green cloth background with mountain landscape. Mountain top protrudes to the left with a forest in the foreground.

Usage Rights:

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