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Mask (Kasangu)

Salampasu

Artwork Details

Mask (Kasangu)
1920-1960
Salampasu
wood, raffia, kaolin and fiber
28 3/4 x 7 x 9 1/4 in. (73.02 x 17.78 x 23.5 cm);26 x 7 x 9 1/4 in. (66.04 x 17.78 x 23.5 cm)
Museum Purchase assisted by the Friends of the Museum of Art
1971/2.44

Description

March 28, 2009
These formidable masks played a vital role in the Sala Mpasu’s warrior society, a powerful association through which men increased their authority by securing the right to wear particular masks. The most prestigious of these were the idangani masks, which represented a married couple and were constructed entirely from fiber. The female mask is identified by the small fiber knobs that recall a popular woman’s hairstyle. The kasangu mask was made of wood and represented a warrior. Its open, rectangular mouth exposes pointed teeth—a Sala Mpasu mark of beauty.
As new forms of authority and wealth were imposed by the Belgian colonial state, the Sala Mpasu disbanded their warrior society and destroyed many of the masks associated with it. However, the resilience of Sala Mpasu artists remains evident in the new forms of masks they continue to create for entertainment, boys’ initiation ceremonies, and the external art market.

Subject Matter:

In pre-colonial Sala Mpasu society authority was vested in members of the Matambu warriors’ society who could secure the rights to wear an array of important masks. The kasangu mask was made of wood and represented a warrior. Covered in kaolin, a fine white clay, it is distinguished by its open rectangular mouth and pointed teeth—a Sala Mpasu mark of beauty.

Physical Description:

Face mask made of wood, covered in white kaolin; face has round, bulging forehead, deep set narrow eyes, small round ears, fiber beard, open rectangular mouth and pointed teeth; basketry weave that held mask on the dancer’s head is visible at back and sides; raffia attachment on top of head frayed and missing.

Usage Rights:

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