New Semester Reward of the Oppressed
Sir Eduardo Paolozzi ; Richard Davis; Editions Alecto
Description
Subject Matter:
Like many of his contemporaries, Paolozzi used new printing techniques as a way to engage with modern mass media's new visual culture. At the same time, the photomechanical process made the work look mechanically manufactured rather than hand made, in the traditional artistic sense. Therefore, when he modified, transformed, and assembled the source image(s), the medium would allow for a more uniform final image.
This print is one of a large series of 50 prints included in the 1970 portfolio, which was a second edition of the an earlier group of slightly larger prints titled "Moonstrips Empire News." While the first series was strictly produced as screenprints, this second series "General Dynamic F.U.N." includes works of photolithography, like this one. The themes seen in this portfolio are different in style and subject matter from other Pop works of the period, but engage with the images of a modern mass media, looking beyond just advertising and publicity images. Likewise, the title of the portfolio alludes to the General Dynamics Corporation, who was the manufacturer of the F-111 fighter used during the Vietnam War—the same one referenced in James Rosenquist monumental painting "F-111."
Physical Description:
The majority of this print is blank, except for a series of photos and patterns on the center-left. There are three main sections. At the top are a series of horizontal bands; some are just lines in maroon, pink, red, green and yellow, and one large band has a red checker-board pattern on a maroon background. Below, there are two photographs: each one shows a different group of performers in costume lined up on display.
Usage Rights:
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