Ôtsu-e: Benkei with a Halberd (Naginata Benkei)
Japanese
Description
Ōtsu-e: Benkei with a Halberd (Naginata Benkei)
Japan
Edo period (1615–1868)
18th century
Hanging scroll, ink and color on paper
Museum purchase for the James Marshall Plumer Memorial
Collection, 1964/2.101
This painting depicts the legendary warrior-monk Benkei, known
through Tales of the Heike as a loyal follower of the famous military
commander Minamoto no Yoshitsune (1159–1189).
This painting is an example of an Ōtsu-e, a type of folk painting
originating just outside of Kyoto. Ōtsu-e were produced with cheap
local materials and stencils were used to facilitate mass production,
making them affordable even to the lower classes. Initially religious in
content, Ōtsu-e proliferated in the late sixteenth and early seventeenth
century when Christianity was officially banned; they could be
purchased easily and secretly hung in the home as proof of Buddhist
piety. Adopting the Ōtsu-e format for the depiction of the folk hero
Benkei suggests that he was revered in the same way as a deity.
Summer 2024 Gallery Rotation
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These paintings are examples of Otsu-e, a type of folk painting originating not far from Kyoto in the present-day Shiga Prefecture towns of Otsu, Oiwake, and Otani. Due to Otsu’s prime location on the Eastern Sea Road linking Kyoto with Tokyo, paintings from Oiwake and Otani eventually became subsumed under the title of Otsu-e. Initially religious in content, Otsu-e proliferated in the late sixteenth and early seventeenth century when Christianity was officially banned; they could be purchased easily and hung in the home as proof of Buddhist piety. Otsu-e were produced with cheap local materials and stencils were used to facilitate mass production, making them affordable even to the lower classes.
By the latter half of the seventeenth century, Otsu-e became more secular. The Thunder God (Raijin), for example, a powerful and ferocious figure, could be seen comically fishing for his drum, carelessly dropped in the ocean. Mischievous demons, like the one on display, were depicted in priest’s garb begging for alms. Here the painting is accompanied by text, which became common on images with moralistic messages poking fun at society. These humorous paintings had strong popular appeal, and made their way into the art and literature of famous Edo period figures. Otsu-e with iconography associated with beneficial powers would later function as amulets.
(Gallery Rotation Fall 2011)
Gallery Rotation Fall 2011
Demon Soliciting Alms (Oni no Nembutsu)
Japan, Edo Period (1615–1868)
18th century
Hanging scroll, ink and color on paper
Museum purchase for the James Marshall Plumer Memorial Collection, 1964/2.102
Benkei with a Halberd (Naginata Benkei)
Japan, Edo Period (1615–1868)
18th century
Hanging scroll, ink and color on paper
Museum purchase for the James Marshall Plumer Memorial Collection, 1964/2.101
The Thunder God Fishing for his Drum
Japan, Taisho Period (1912–26)
20th century
Hanging scroll, ink and color on paper
Gift of Dr. and Mrs. J.E. Val-Mejias, M.D., 1987/1.368
These paintings are examples of Otsu-e, a type of folk painting originating not far from Kyoto in the present-day Shiga Prefecture towns of Otsu, Oiwake, and Otani. Due to Otsu’s prime location on the Eastern Sea Road linking Kyoto with Tokyo, paintings from Oiwake and Otani eventually became subsumed under the title of Otsu-e. Initially religious in content, Otsu-e proliferated in the late sixteenth and early seventeenth century when Christianity was officially banned; they could be purchased easily and hung in the home as proof of Buddhist piety. Otsu-e were produced with cheap local materials and stencils were used to facilitate mass production, making them affordable even to the lower classes.
By the latter half of the seventeenth century, Otsu-e became more secular. The Thunder God (Raijin), for example, a powerful and ferocious figure, could be seen comically fishing for his drum, carelessly dropped in the ocean. Mischievous demons, like the one on display, were depicted in priest’s garb begging for alms. Here the painting is accompanied by text, which became common on images with moralistic messages poking fun at society. These humorous paintings had strong popular appeal, and made their way into the art and literature of famous Edo period figures. Otsu-e with iconography associated with beneficial powers would later function as amulets.
Subject Matter:
This painting is an example of Otsu-e, a type of folk painting originating not far from Kyoto in the present-day Shiga Prefecture towns of Otsu, Oiwake, and Otani. Otsu-e were produced with cheap local materials and stencils were used to facilitate mass production, making them affordable even to the lower classes.
By the latter half of the seventeenth century, Otsu-e became more secular. This humorous painting among other Otsu-e had strong popular appeal, and made their way into the art and literature of famous Edo period figures. Otsu-e with iconography associated with beneficial powers would later function as amulets.
Physical Description:
This painting portrays Saito Musashibo Benkei holding a halberd. Benkei was a Japanese warrior monk, a popular subject of Japanese folklore. Here the painting is accompanied by text, which became common on images with moralistic messages poking fun at society.
Usage Rights:
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