Portrait of Nicolas de Largillière

Description

François Chereau’s engraving after a self-portrait by Nicolas de Largillière is an example of a portrait d’apparat. The portrait d’apparat is an image of rank and pomp as much as a likeness of an individual, a convention that followed the precedents set by Largillière’s famous painted portrait of Louis XIV. Attired in wig and voluminous robes, the artist gazes through an architectural framework at the viewer while grandly gesturing toward the canvas behind him. In his hands he holds an portfolio of drawings and a stylus, a reference to the study and craft that underlies painting of the grand manner.
Largillière studied in Antwerp and London before becoming established in Paris, where he became a student of the most important painter in France at the time, Charles Le Brun. Known as a versatile and talented painter, Largillière painted portraits both for the French court and for upper middle class clients. He was received by the Académie Royale in 1683 and also served as Director of that institution.
Exhibition label copy from "Eighteenth Century French Prints and Drawings," February 1 - May 4, 2003 by Curator Carole McNamara