Ragamala series: Ragini Bilavala
Artist Unknown, India, Rajasthan, Jaipur School
Description
Subject Matter:
Ragamala paintings draw from aspects of human experience in order to visualize specific moods, emotions, and qualities such as love, anguish, valor, weakness, and strength. A raga in Indian music is a melody consisting of a string of notes in a particular arrangement. Raginis are derivations from or variations of ragas in feminine mode (the basis of these classifications remains unexplained in many cases), and could have different or similar musical structures as ragas. Specific ragas are associated with specific times of the day, seasons, and emotions. When visualized, as here, ragas and raginis are meant to evoke the same affective responses that are allied to their musical modes. The text above the illustration refers to stories or incidents associated with the depicted raga/ ragini, but may not necessarily be narrative-like or descriptive. Drawn from literary tropes and tales that sophisticated writers and viewers would be aware of, the inscriptions are an integral part of the overall experience of this miniature painting. An illiterate viewer, however, could still enjoy the scene without reading the text.
Vilaval is a morning melody, here shown as a woman preparing to meet her lover. She engages in self-adornment and beautification (shringar), with her attendants standing close by to help. One of them holds a mirror, in which is registered the woman's beautiful face. The roosters also symbolize the time of the day--early morning.
Physical Description:
A lady appears to be getting ready (shringar). One of her attendant holds a mirror close to the lady's face, and the other holds a fly whisk. Two parrots are shown in the sky depiced above the palace. Cocks are shown on the staircase below where the lady and her attendants sit.
Usage Rights:
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