Sailboat and Mountain with Calligraphy Poem, Mt. Fuji
Tanomura Chokunyū
Description
Tanomura Chokunyū
Japan, 1814–1907
Mount Fuji
Meiji period (1868–1912)
Early 20th century
Hanging scroll, ink on paper
Gift of the Estate of Betty I. Monroe, PhD, 2014/2.253
Unlike the Chinese literati (amateur scholar-artists who held
government positions and engaged in arts as a pastime), who
mainly painted monochromatic landscapes, Japanese literati
(professional and amateur artists who modeled themselves
after Chinese literati) often worked in a wide range of styles;
from landscapes using a variety of brush-strokes modeled
after Chinese masters and colorful bird-and-flower painting,
to minimalist paintings like this one. It is in the genre called
haiga, or haiku painting, where a picture and a poem work
together to create an image. Here, Mount Fuji is reduced to a
single line and two dots. A boat, represented by a rectangular
mast, floats on the cove of Tago. The haiku in this painting
is difficult to decipher, but it is probably a humorous
interpretation of the beloved view of Mount Fuji from the
cove immortalized in a famous poem by the eighth-century
writer Yamabe no Akahito:
Coming out
from Tago’s nestled cove,
I gaze:
white, pure white
the snow has fallen
on Fuji’s lofty peak.
(translation by Hideo Levy)
Subject Matter:
Unlike the Chinese literati (amateur scholar-artists who held government positions and engaged in arts as a pastime), who mainly painted monochromatic landscapes, Japanese literati (professional and amateur artists who modeled themselves after Chinese literati) often worked in a wide range of styles; from landscapes using a variety of brush-strokes modeled after Chinese masters and colorful bird-and-flower painting, to minimalist paintings like this one. It is in the genre called haiga, or haiku painting, where a picture and a poem work together to create an image. Here, Mount Fuji is reduced to a single line and two dots. A boat, represented by a rectangular mast, floats on the cove of Tago. The haiku in this painting is difficult to decipher, but it is probably a humorous interpretation of the beloved view of Mount Fuji from the cove immortalized in a famous poem by the eighth-century writer Yamabe no Akahito:
Coming out
from Tago’s nestled cove, I gaze:
white, pure white
the snow has fallen
on Fuji’s lofty peak.
(translation by Hideo Levy)
Physical Description:
Light green-gold cloth background with a scene of a mountain, a poem and a sailboat.
Usage Rights:
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