Transmutations
Brassaï; E. Guillot; Galerie Les Contards
Description
Subject Matter:
In 1932, after Brassaï left one of his glass plate negatives in Pablo Picasso's studio, Picasso drew directly onto Brassaï's negative. Picasso's action inspired the photographer to make marks on his own negatives, often scratching away the photographic image already exposed on the glass plates. He transformed photographs of female nudes with lines to produce intricate patterns, musical instruments, and new forms. Brassaï re-worked about 150 negatives from 1934-1935 and then published twelve images as the portfolio Transmutations in 1967. The title references the process of mutating the human body through the cliché-verre process. Brassaï described photography as his raw material, the point of departure for his transmutations, where realism gave way to fantasy.
Physical Description:
A linen covered, velvet lined, clamshell folio, with gilt lettering on the spine and Arches Aquarelle Satin Rives paper for Brassaï's Transmutations portfolio.
Usage Rights:
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