Vase
Louis Comfort Tiffany
Description
In conversation with Jennifer Perry Thalheimer, Collections Manager, Charles Hosmer Morse Museum, Rollins College, Winter Park, FL (6/27/06) comes the following information:
Those works initialed with L.C.T. or in which Tiffany's name is written out on the base does not indicated that Tiffany himself was responsible for the creation of the work. Although he passed design ideas to his artists, he did not personally oversee the creation of all of his works. As other favrile glass artists began to compete with Tiffany, the initials may have been just to establish that the work came from the Tiffany company studio.
There is work ongoing about the numbers on paper labels or etched into the bases of Tiffany glass works to establish what they might indicate as to dating, style, inventory, etc.
Subject Matter:
Tiffany was conversant with glass (both mosaics and blown glass vessels) from different cultures and epochs, including that of ancient Rome. This miniature vase exhibits Tiffany's mastery of asymmetrical form (which recalls late antique glass as well as sharing in the aesthetic of Art Nouveau) and recalls the beautiful small bottles that contained perfumes or precious oils excavated from Roman sites. Tiffany's gorgeous use of color and iridescence in a small vase such as this also evokes the iridescence of excavated Roman glass--not an intended effect in the Roman work but a result of chemical changes in the glass as a consequence of contact with acidic and moist earth. In this small vase, Tiffany conjures up all the rich association of late Roman glass as well as the opulent color and lines of Tiffany's contemporary arts and crafts.
Physical Description:
irridescent neutral-colored glass vessel with wide body, narrow neck and thick lip
Usage Rights:
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