Skip to main content

Vessel Lid

Yoruba

Artwork Details

Vessel Lid
20th century
Yoruba
terracotta with pigment
8 x 7 7/8 x 9 in. (20.96 x 20.00 x 23.02 cm); ; ;
Gift of Dr. Daniel and Sandra Mato
2003/2.34

Description

Subject Matter:

Although it is missing the bottom portion, this vessel for the stones of Eyinle (called awo ota Eyinle) was popular among Yoruba-speaking peoples near the Nigerian city of Oyo and further west. Eyinle (also spelled Erinle and Erinile) was the orisa (god) associated with river stones, sand, and river water. In the bottom of the vessel would be placed water, sand, and stones from a river, while the small bowl on the lid would hold a kola nut or cowrie shells placed there to communicate with Eyinle. In that aspect, the figure on the lid represents the follower of Eyinle, not the orisa. Although the vessel holds river stones, the ase (power or life force) of Eyinle, the lid also signifies the power of the orisa. The protrusions along the side arches represent the river stones and the blue pigment refers to royalty. The arches refer to the crowns of Yoruba kings, which have a conical shape that reflect the ori (head) as the source of a person's ase

This is a lid for a larger vessel which was likely made in two separate parts. The lid of the vessel was likely created by using a mold, beating the clay over the mold by using a smooth, flat river stone. This layer over the mold is often thicker than the final product, using a snail shell or a piece of calabash to thin the layers of clay on the mold. After the vessel has dried, it is fired in a simple kiln that is made from mud walls about 2 feet high and 6.5 feet wide. 

References Cited: 
Drewal, Henry John, John Pemberton and Rowland O. Abiodun. 1989. Yoruba: Nine Centuries of African Art and Thought. New York: Center for African Art.
Lawal, Babatunde. 2012. Visions of Africa: Yoruba. Milan: 5 Continents Editions.

Beier, Georgina. 1980. "Yoruba Pottery." African Arts, Vol. 13, No. 3: pp. 48-53;92.  

Thompson, Robert Farris. 1983. Flash of the Spirit: African and Afro-American Art and Philosophy. New York: Random House.

Physical Description:

A circular, slightly domed disc topped with four arches and the figure of a human head. The front arch is wide, with a small bowl, and the arches to either side have four small, pointed protrusions. The front and back arch, as well as the top of the figure's head, are decorated with geometric patterns. The back of the head is connected to the back arch by a smaller arch. 

Usage Rights:

If you are interested in using an image for a publication, please visit https://umma.umich.edu/request-image/ for more information and to fill out the online Image Rights and Reproductions Request Form.