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A neoclassical stone building with four columns is seen. The stone has been painted white with a thin porcelain clay slip, making the building stand in stark white contrast against the background
Photo by Patrick Young and Jerri Hollister

Leading Artistic Innovation

To redefine what it means to be an art museum means doing new and unexpected things. More than just exhibitions and programs, UMMA is leading the charge to create new forms of artistic innovations.

Leading Real Change

Our work at UMMA is centered on one question: How do we lead real change in museums so that the communities we care about can thrive in the 21st century?

Ongoing Projects

An art handler manipulates a Chinese art object
Christopher Ankney

Chinese Object Study Workshops

Hands-on, immersive experiences for graduate students in Chinese Art History. Supported by the Kingfisher Foundation, this global program is dedicated to preserving and advancing the tradition of direct object study.

A group of people standing in front of the UMMA entrance beneath a large white sculpture of a face being covered by hands called "Behind Our Walls" by Jaume Plensa.
Photo by Neil Kagerer

Campus Museums Collaboration

As part of a nationwide coalition of campus art museums, UMMA is working to bring together leaders from coast to coast to experiment with bold, new collaborations.

Voters use the UMMA Campus Voting Hub to register, request an absentee ballot, and vote in the 2024 US Presidential Election.
Photo by Scott C. Soderberg, Michigan Photography

Vote at UMMA

In partnership with the Ann Arbor City Clerk’s Office, the Creative Campus Voting Project and the UMICH Votes Coalition UMMA hosts election hubs in a central Museum gallery to expand access to democracy and create new kinds of civic spaces.

Past Projects

'Wish You Were Here: African Art and Restitution ' exhibition in UMMA's Art Gym gallery Aug 21 - Aug 22.
Photo by Mark Gjukich

Wish You Were Here

An in-public investigation into 11 objects of African art in UMMA’s collection, proactively engaging with debates about restitution and the ethics of museums’ owning African heirlooms collected during the era of colonization. Research for this project is still available to explore online.