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Chinese Object Study Workshops

Hands-on, Immersive Experiences for Graduate Students in Chinese Art History
"The Orchid Pavilion Gathering," 1621, Sheng Maoye, handscroll, ink and color on silk. Museum purchase made possible by the Margaret Watson Parker Art Collection Fund, 1974/1.244

Chinese Object Study Workshops is a program providing graduate students studying Chinese art history an immersive experience in the study of Chinese objects in North American museum collections.

This program underscores the critical importance of sophisticated visual analysis in the field of art history, a skill that is cultivated through direct engagement with objects during a week-long workshop (Monday-Friday). This program is dedicated to preserving and advancing the tradition of direct object study, ensuring that the next generation of art historians is equipped with the essential skills to interpret and appreciate Chinese art.

For inquiries, please contact cosw-info@umich.edu.

Applications for 2025 Workshops now open, the deadline to apply is March 3, 2025.

2025 Workshops

Applications for our 2025 are now open, the deadline to apply is March 3, 2025.

Materials & Methods in Calligraphy

Closely examine a rich collection of Chinese calligraphy from UMMA’s Lo Chia-Lun Collection of Chinese Calligraphy. This workshop is an immersive study of the materials, tools, and techniques used in writing and researching calligraphy.

June 9 — June 13, 2025
Location: UMMA in Ann Arbor, MI

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On Jewelness: Buddhist Materiality

Drawing on Buddhist objects from the 14th-19th centuries that highlight the connection between China and the Himalayas, this workshop explores the theme of jewelness and will offer students the hands-on opportunity to study a range of media.

August 18 — August 22, 2025
Location: Asian Art Museum of San Francisco

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What to expect

Participants in each workshop spend the week engaged in intensive object study, discussion, and research with a small group of other graduate students, faculty members, and curators and conservators from the host museum.

In addition, participants are required to:

  • Complete assigned reading in advance
  • Complete a research project based on an object or objects they encountered
  • Present this project to fellow workshop students and leaders (often via Zoom)
  • Follow the presentation with a written report shared with the workshop host museum

Lodging, most meals, and a transportation stipend will be provided to each participant.

Chinese Calligraphy Tour and Workshop – Express with Movement. At this event UMMA Curator of Asian Art Natsu Oyobe and artist Jing Wang helped guests explore the art of Chinese calligraphy.
Photo by Mahalina Dimacali

Who Can Apply

The program is open to graduate students enrolled in, or accepted to, a PhD program in the field of Chinese art history at a North American or European university. Graduate students from other art history–related programs and/or who are working closely with Chinese art objects are welcome to apply as well. Applicants may be of any nationality and may apply for more than one workshop. Each workshop is designed for around 10 students.

Applications Now Open, the deadline to apply is March 3, 2025.

Explore Chinese art at UMMA

3100 BCE - 2600 BCE
Chinese
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1600 BCE - 1100 BCE
Chinese
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circa 1517
Wen Zhengming
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mid 16th century
Xie Shichen (Hsieh Shih-ch'en)
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1642 – 1707
Shitao (Shih-t'ao)
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20th century
Zhang Daqian (Chang Ta-ch'ien)
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SUPPORT

This program is funded by a generous grant from the Kingfisher Foundation and advised by a steering committee: Jonathan Hay, Institute of Fine Arts, NYU; Stephen Little, Los Angeles County Museum of Art; Lihong Liu, University of Michigan; Natsu Oyobe, University of Michigan Museum of Art; Kathleen Ryor, Carleton College; Joseph Scheier-Dolberg, Metropolitan Museum of Art; Jan Stuart, National Museum of Asian Art; and Peter Sturman, University of California, Santa Barbara. The University of Michigan Museum of Art is administering the program.