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Solitaire en cette vie d’embûches et de malices

1923

Georges Rouault

aquatint and drypoint on paper

Madame Carmencita, from the set, ‘Cirque de l’Etoile Filante’,

1935

Georges Rouault

color etching and aquatint on paper

Miserere. Pl. 12. Le dur métier de vivre… It is hard to live…

1922

Georges Rouault

aquatint and etching on paper

Miserere. Pl. 54. ‘Debout les morts!’ ‘Arise, ye dead!’

1927

Georges Rouault

aquatint and etching on paper

Two Women in profile from the Reincarnations of Pere Ubu (by AMbroise Vollard) [

1928

Georges Rouault

etching and aquatint with roulette on paper

Man in a Hat (The Good Candidate Boudoubudabou) form Reincarnations of Pere Ubu

1928

Georges Rouault

etching and aquatint with roulette on paper

The Negro (Bamboula) from Reincarnations of Pere Ubu [Le Negre (Bamboula) from R

1928

Georges Rouault

etching, drypoint and aquatint on paper

Miserere. Pl. 48. Au pressoir, le raisin fut foulé. In the press, the grapes

1922

Georges Rouault

aquatint and etching on paper

Miserere. Pl.52. Dura lex sed lex. The law is hard, but it is the law.

1926

Georges Rouault

aquatint and etching on paper

Miserere. Pl. 8. Qui ne se grime pas? Who does not paint himself a face?

1922

Georges Rouault

aquatint and etching on paper

Miserere. Pl. 34. “Les ruines elles-mêmes ont péri.”

1926

Georges Rouault

aquatint and etching on paper

Cirque de l’Etoile Filante. Plate VII: Madame Louison

1935

Georges Rouault

color etching on paper

We Think We Are Kings from Miserere (by Andre Suares) (Nous Croyant rois from Mi

1923

Georges Rouault

etching on paper

circa 1926

Georges Rouault

lithograph on paper

Christ in Doorway (Christ devant la ville)

1935

Georges Rouault

etching on paper