The Collection – University of Michigan Museum of Art

San Biagio, One of the ‘Twenty-six Etchings’ or the ‘Second Venice Set’

1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

Downtown Saint Louis

1978

Joel Meyerowitz

chromogenic print on paper

Boorhaupore. The Musjid

circa 1858-1880

Francis Frith; Francis Frith and Co

albumen print on paper

Café Corazza, Paris

circa 1892-1893

James Abbott McNeill Whistler

etching, printed in black ink on laid Japan tissue, trimmed to platemark

The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem

The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’

1879-1880

James Abbott McNeill Whistler

etching, printed in dark brown ink on laid paper, trimmed to platemark

The Traghetto, No. 1

1879-1880

James Abbott McNeill Whistler

etching, printed in warm black ink on laid Japan paper

The Engineering Quadrangle

1919

Wilfred Byron Shaw

etching on paper

Sanremo – Vicolo del Giuoco della Palla

1881-1895

Carlo Brogi

albumen print on paper

The Fort -Agra- Palace of Akhar (marble)/ Taj in distance

1863-1875

Samuel Bourne

albumen print on paper

El Saguán, San Juan

1967

Emilio Sanchez

black and white lithograph on paper

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The UMMA Collection