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The UMMA Collection

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Artwork Type:
San Biagio, One of the ‘Twenty-six Etchings’ or the ‘Second Venice Set’
1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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Downtown Saint Louis
1978
Joel Meyerowitz
chromogenic print on paper
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Boorhaupore. The Musjid
circa 1858-1880
Francis Frith; Francis Frith and Co
albumen print on paper
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Café Corazza, Paris
circa 1892-1893
James Abbott McNeill Whistler
etching, printed in black ink on laid Japan tissue, trimmed to platemark
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The Beggars, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Traghetto, No. 2, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching, printed in dark brown ink on laid paper, trimmed to platemark
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The Traghetto, No. 1
1879-1880
James Abbott McNeill Whistler
etching, printed in warm black ink on laid Japan paper
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The Engineering Quadrangle
1919
Wilfred Byron Shaw
etching on paper
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Sanremo – Vicolo del Giuoco della Palla
1881-1895
Carlo Brogi
albumen print on paper
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The Fort -Agra- Palace of Akhar (marble)/ Taj in distance
1863-1875
Samuel Bourne
albumen print on paper
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El Saguán, San Juan
1967
Emilio Sanchez
black and white lithograph on paper
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