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The UMMA Collection

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The Grand Canal, Venice
19th century
Egisto Manzuoli
oil on canvas
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Photograph Album
19th century
English
168 albumen prints mounted in leather bound album
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San Biagio, One of the ‘Twenty-six Etchings’ or the ‘Second Venice Set’
1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint printed in black ink on wove paper
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Nocturne: Furnace, One of the ‘Twenty-six Etchings,’ or the ‘Second Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in brown ink on laid paper, trimmed to platemark
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Venice
1903-1954
John Whorf
watercolor on paper
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The Riva, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Vitré—The Canal
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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Canal in Bruges
1881-1959
Wilfred Byron Shaw
drypoint on paper
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Two Doorways, One of the ‘Twelve Etchings,’ or the ‘First Venice Set’
1879-1880
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Canal in Holland, near Rotterdam (Winter)
1875
Johan Barthold Jongkind
etching on laid paper
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The Grand Canal, Venice
1927
Louis Conrad Rosenberg
drypoint on paper
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Vitré—The Canal
1893
James Abbott McNeill Whistler
transfer lithograph with stumping on laid paper
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The Embroidered Curtain
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper
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Steps, Amsterdam
1889
James Abbott McNeill Whistler
etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
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